Figures from a mid-1950s sketchbook. The two panels were juxtaposed horizontally, but are stacked here for vertical display. The purpose of the drafts is unknown, and the elements are unrelated to any other sketches in the book.

Our title, not Flora’s. Draft from sketchbook ca. 1955, purpose unknown. Adjacent pages feature rough illustrations of management skills, probably intended for a topical magazine assignment.

Baba Yaga, pen & ink and oil pastel on paper, 14″ x 16″, 1996. Previously unpublished and uncirculated late life work (two years before the artist’s death). Wiki entry profiles a dangerous damsel: She flies around on a giant pestle or broomstick, kidnaps (and presumably eats) small children, and lives in a hut that stands on chicken legs.

Flora authored and illustrated 17 children’s books under his own name between 1955 (The Fabulous Firework Family) and 1982 (Grandpa’s Witched-Up Christmas). A milk crate in the Flora archives contains contracts and correspondence for each one. Most of the letters passed between the author/artist and his legendary editress, Margaret McElderry. The crate is also stuffed with manila folders for dozens of abandoned or rejected book ideas. Walter Beartree and the Boo-Saying Whale does not have…

Untitled pencil drawing discovered in mid-1960s sketchpad. Theme unknown. The pad included dozens of rough pencil sketches for Flora’s 1964 book My Friend Charlie, along with a number of unrelated sketches, mainly architectural, some Mexico-inspired, most incomplete. This work echoes nothing else in the sketchpad, or any other known Flora work.

Hot Stove League entry: illustration (one of several) from “The Big Leagues Are Killing Baseball,” LOOK magazine, April 15, 1958. The above image is an original painting. Many of Flora’s early commercial illustrations exist only as printed reproductions, the original art either kept by the magazines or thrown out. When I interviewed Flora in 1998, I asked him about the whereabouts of his commercial originals. “They would reproduce it,” I queried, “but they wouldn’t think…

Christmas greetings Flora-style from Columbia/Okeh Records. Above: cover of the December 1942 new release flyer from Flora’s then-employer. James had not yet risen to the position of art director (he would in 1943); at the time he was just nearing the end of his first year in the art department under the legendary Alex Steinweiss.

Spot illustration, Columbia Coda, August 1945. That was Flora’s final year as Columbia art director, and the final year of the monthly Coda, which Flora launched in 1943 and illustrated single-handedly. In January 1946, Robert M. Jones assumed the AD role when Flora was promoted to Advertising Manager. Coda was transformed into the monthly Disc Digest, few of which featured Flora illustrations.

In the Nov. 20 Wall Street Journal “Bookshelf” column, Meghan Cox Gurdon reviews Flora’s 1957 The Day The Cow Sneezed, recently reprinted by Enchanted Lion Books: “Flora’s style is about as goofily retro as it’s possible to get, with wide-eyed men in suits, amazed-looking wild animals, and an old-fashioned matte palate of red, pink, green and gray. In the story a series of wild events unfurls when a boy neglects his cow, which catches cold…

Untitled, undated (ca. mid-1960s) ship in cross-cut view. Previously unpublished and uncirculated work (rendered in tempera and pencil) discovered in sketchpad.