Pencil sketch, ca. 1940-42. A refined wood- or linocut of this critter appeared in the 1942 Little Man Press chapbook GUP, one of many Flora spot illustrations adorning the Robert Lowry story “The Hotel.”

Detail, Vaya Laredo, pen & ink, 1998. Full work to be reproduced in The Sweetly Diabolic Art of Jim Flora, scheduled for Fall 2009 publication by Fantagraphics Books.

Pencil sketch, early 1940s. Pulled-apart facial features linked by pin-lines is a common motif in early 1940s Flora sketches and paintings. Previous examples here, here, here, here, here, here, and here.

Floraphile Cary Ginell dropped us a note: Just ran across this image in the Library of Congress archives. It’s a shot taken by William Gottlieb of the Commodore Record Shop in New York in 1947. Check out the guy in the middle of the photo. He’s getting ready to purchase (or sell, if he’s a counter clerk) the Kid Ory Columbia 78 album with Flora’s artwork. BTW, the guy reaching up to pull something from…

Robert Lowry (1919-1994) would turn 90 today. Don’t expect a presidential proclamation in commemoration of this troubled man’s legacy. However, we salute the Little Man Press writer/editor for changing the course of Flora’s career, and probably for influencing his art. It all began one day in 1938 when the volatile literary turbine accosted Flora on the Art Academy of Cincinnati campus and demanded the undergrad illustrator serve as art director for his fledgling independent press…

Detail, Columbia Broadcasting System trade brochure, 1943 or ’44

There are presently twenty different page headers at JimFlora.com. Each time you visit the site or refresh the page, the image changes. Because they rotate at random, some images will recur multiple times before you see them all. It’s a Zen exercise. Mixes well with rum. There’s also nine footers at the bottom of the homepage.

Not the artist’s title, but a descriptive one nevertheless:Detail from The Fabulous Firework Family (1955) first draft, a hand-drawn image from the Kerlan Collection, University of Minnesota. Oddly, these two critters had nothing to do with the story, and do not figure in the published edition. (Rumor has it they were dropped from the FFF project after a pay dispute.) They appear to be wearing costumes fashioned from tablecloth scraps.

Born this day in 1916. In 1939 the trumpeter, already a top-tier bandleader, hired a smooth, upcoming but relatively unknown vocalist from New Jersey, but failed to convince the kid to change his name to “Frankie Satin.” Within a year, James and singer had parted ways, the latter to join Tommy Dorsey’s orchestra. Within a few years, both James and the kid crooner were on their respective ways to becoming music legends. Columbia Records ad…

Rasputin-strength, dismembered and trepanated zombie. Spot illo (woodcut, one of many), Murderpie, Little Man Press, 1939. Publication written by Robert Lowry. Whereabouts of original woodcuts unknown.