Filed Under: "1950s"

Flora found them irresistible. Surplus heads too.

We’re not sure what this commercial illustration (ca. 1960) was intended to depict, because we don’t know the nature of the assignment or the client. Rather than impose a narrative, click on thumbnail to view enlarged image, create your own storyline, and post it in the Comments. If you happen to have a magazine tearsheet of this illo, please advise so we can settle all arguments before things get out of hand (which is, actually,…

This ship is part of a large untitled tempera harbor montage painted by Flora on a slab of masonite around 1951. How “large”? How much of a “part”? After isolating the above detail, I copied and pasted it horizontally and vertically over the full original to figure out how many elements this size could fit in the complete image field. Outcome: the above detail represents 1/52nd of the entire work.

Postman bites dog! Or at least appears to be attempting to turn the tables. Tempera draft from The Day The Cow Sneezed, courtesy the Dr. Irvin Kerlan children’s literature collection. Although the book was published in 1957, archival correspondence between Flora and his Harcourt editor Margaret McElderry indicates the book was being developed as early as 1955, the same year Flora’s first children’s book, The Fabulous Firework Family, was published.

Detail, Inside Sauter-Finegan RCA Victor LP cover, 1954. I bought this record at a yard sale in 1974 just for the sleeve illustration, which graced my living room wall. Never got around to dropping the needle on the vinyl. But you can listen to (and watch) Bill (Finegan) and Eddie (Sauter) on YouTube.

Not the artist’s title, but a descriptive one nevertheless:Detail from The Fabulous Firework Family (1955) first draft, a hand-drawn image from the Kerlan Collection, University of Minnesota. Oddly, these two critters had nothing to do with the story, and do not figure in the published edition. (Rumor has it they were dropped from the FFF project after a pay dispute.) They appear to be wearing costumes fashioned from tablecloth scraps.

Detail, The Day the Cow Sneezed, tempera draft, 1957, courtesy the Dr. Irvin Kerlan Collection, University of Minnesota. A gallery of early Flora roughs and overlays from the Kerlan collection will be included in our next Fantagraphics book, The Sweetly Diabolic Art of Jim Flora (target publication date September 2009).

Detail, Primer for Prophets booklet, 1954

pen & ink with pencil outline, detail, sketchbook,ca. 1950-51, when Flora was living in Mexico Here’s an undated forebear: Distant relative, from a 1948 Columbia Records ad(fully reproduced in The Curiously Sinister Art of Jim Flora)

Spot illustration, “College: Whether to Go / Where to Go,” Mademoiselle, 1953

One of a quartet of 5-1/2″ x 6-3/4″ temperas on artist board, each identical except for color scheme, presumably entitled Mardi Gras, based on figure studies by that name. The undated studies (sketches and refined tapestry) and the other three variants, which reflect Flora’s early 1950s style, were reproduced in The Curiously Sinister Art of Jim Flora. The spots on the above image indicate moisture discoloration, sometimes euphemistically referred to as an “aging artifact.”

Illustration, “Are You Superstitious?” Parade Sunday newspaper supplement, December 8, 1957 (from tearsheet).