Filed Under: "1950s"

Detail, untitled tempera, ca. 1950-51. Above are eight of about 65 individual modules arrayed on the entire work. The elements are stylistically reminiscent of the Railroad Town woodcut, and cubicle art is a recurrent Flora motif.

… is now open. Jim Flora hand-printed notecards, fine art bookmarks, and 2009 letterpress calendars at affordable prices. We’ve also released a number of new fine art and album cover prints over the past few weeks but haven’t had an opportunity to alert our mailing list. Here’s two, but there’s more over at JimFlora.com: Self-Portrait, ca. 1947 Gunfight on the Roof, 1951

Commercial illustration, late 1950s, publication unknown. Tempera mechanical found in the Flora archives. The illustration’s theme has contemporary resonance in the wake of the subprime meltdown.

“The Great U.S. Freight Cartel” (detail), Fortune magazine, January 1957. The full original 14″ x 5-1/2″ tempera work was preserved by the artist and is stored—in great condition–in the Flora archives. It’s one of the earliest extant original commercial illustrations in the collection. Of the hundreds of works-for-hire rendered by Flora for dozens of magazines during the 1940s and early 1950s, all that remain are periodical reproductions. From the late 1950s on, a sizable number…

Untitled tempera illustration for unknown magazine, March 1958. Stamped on reverse: “kill” — which doesn’t refer to the dragon or the knight-in-a-necktie. It refers to the drawing, which was rejected for unknown reasons. An earlier throwdown:

The Jugglers woodcut limited edition was completed last May, but we’ve been too preoccupied with other Flora business to release the work. A Jugglers page has finally been posted at JimFlora.com and the first five numbered prints are now available. In the next week or two, we hope to enact an official launch. The print was produced by Bryan Baker at Yee-Haw Industrial Letterpress, Knoxville. The work appears on page 58 in The Curiously Sinister…

unidentified sketchbook scene, early 1950s

Our friend Takashi Okada of Tokyo has become the pre-eminent Floraphile in Japan. Besides being an avid customer of Jim Flora fine art prints, Takashi recently designed the Daisy Holiday CD package, which adapts Flora’s 1947 Green Mansions resort brochure illustration (licensed from the Flora estate). Additional Flora elements appear on the jewel case inlay and in the booklet. Here’s a Tokyo record store display flush with Flora. If you don’t live in that part…

REACH! Heck, it’s only pretend gunplay. Detail, Primer for Prophets booklet, commissioned by CBS-TV, 1954.

Farm scene draft for The Day the Cow Sneezed (1957), Flora’s second children’s book. The landscape image is one of 80 scans Barbara and I recently acquired from the Kerlan Collection at the University of Minnesota. We plan to reproduce a number of these early work pages in our third book of Floriana, currently being compiled and written. Among the artifacts — donated to the University by the artist — was an eye-popping version of…

Draft illustration, The Day the Cow Sneezed (1957)Flora’s second children’s bookThat goat gets around.

Top section of untitled three-tiered tempera and pencil, from sketchbook, ca. early 1950s. The two lower tiers, using the same color palette, are no less comically inscrutable.