Filed Under: "animals"

This steamroller is obviously in violation of some vehicular maximum-occupancy statute. The question is—who gets ordered to court? Most likely young Fletcher (at the controls), the only homo sapien on the scene. He’s the most convenient scapegoat (though not the only goat). All the other animals jumped on top of the steam roller as fast as they could. It was the only safe place to be. “STOP!,” everyone was shouting. But the steam roller kept…

Flora authored and illustrated 17 children’s books under his own name between 1955 (The Fabulous Firework Family) and 1982 (Grandpa’s Witched-Up Christmas). A milk crate in the Flora archives contains contracts and correspondence for each one. Most of the letters passed between the author/artist and his legendary editress, Margaret McElderry. The crate is also stuffed with manila folders for dozens of abandoned or rejected book ideas. Walter Beartree and the Boo-Saying Whale does not have…

Untitled pencil drawing discovered in mid-1960s sketchpad. Theme unknown. The pad included dozens of rough pencil sketches for Flora’s 1964 book My Friend Charlie, along with a number of unrelated sketches, mainly architectural, some Mexico-inspired, most incomplete. This work echoes nothing else in the sketchpad, or any other known Flora work.

Christmas greetings Flora-style from Columbia/Okeh Records. Above: cover of the December 1942 new release flyer from Flora’s then-employer. James had not yet risen to the position of art director (he would in 1943); at the time he was just nearing the end of his first year in the art department under the legendary Alex Steinweiss.

In the Nov. 20 Wall Street Journal “Bookshelf” column, Meghan Cox Gurdon reviews Flora’s 1957 The Day The Cow Sneezed, recently reprinted by Enchanted Lion Books: “Flora’s style is about as goofily retro as it’s possible to get, with wide-eyed men in suits, amazed-looking wild animals, and an old-fashioned matte palate of red, pink, green and gray. In the story a series of wild events unfurls when a boy neglects his cow, which catches cold…

JimFlora.com has issued a low-cost ($25) fine art print of the cover of THE DAY THE COW SNEEZED, Flora’s second kiddie book. Originally published in 1957 by Harcourt, the book was just reprinted by Enchanted Lion. Our 11″ x 8-1/2″ print features the complete cover art (used on both editions), including Flora’s playful hand-cut letters. This is an open, unnumbered edition (i.e., there is no limit on the print run).

Detail, “Furnished,” Primer for Prophets alphabet series, 1954. We’ve issued 12 letters as limited edition screen prints, but “F(urnished)” is still in the deep freeze. The full print isn’t as disturbing as the above detail suggests—the husband beyond the crop hasn’t lost his cool. All shall be revealed by the time we complete the series.

Half-page from unfinished and untitled hand-painted children’s book prototype, ca. early 1960s. The project includes ten words (e.g., “automation,” “characteristic,” “evident,” “powerful”) defined, pronounced and illustrated for young readers. A previous partial page (“fantasy”) appeared on this blog in November 2008.

Detail, “Raided,” Primer for Prophets alphabet series, 1954. We’ve issued 12 letters as limited edition screen prints, but “R” remains on our to-do list.

Hand-painted draft page from Kangaroo for Christmas, Flora’s fifth (of 17) children’s books, published by Harcourt Brace, 1962. The box of lines in the upper left indicate placement of text.

Spot illustration, dedication page, The Day the Cow Sneezed, now back in print thanks to Enchanted Lion Books. The first review—favorable!—courtesy the For Immediate Release (Kids) blog: I like his habit of calling attention to certain words by putting them in all caps, nearly on every page: POW! WHAMBO! and my personal favorite KA-BLOWIE-BLAM! I also enjoy the language he uses, specific phrases such as “scrunched as flat as corn flakes.” It’s just plain good…

untitled tempera & pencil on paper found in early 1960s-era sketchbook