Filed Under: "architecture"

Jim Flora Art LLC has listed on eBay a vintage hand-colored relief print of a 1954 Flora woodcut entitled Manhattan. The print was color-filled (with either tempera or watercolor), signed, titled, and matted by the artist. The cityscape depicts many NYC landmarks, such as the Empire State Building, St. Patrick’s Cathedral, the UN, Madison Square Garden, the Statue of Liberty, famous theaters and legendary musical bistros, Washington Square arch, a NY public library lion, subways,…

To sustain the classic Flora LP tradition of the 1940s and ’50s, I’ve long advocated restoring his art to record album covers. Aside from one or two knockoffs of existing Flora designs, the first new release to adapt Flora non-LP art was Do This! by Seattle’s Reptet, in 2006. The cover for the forthcoming Raymond Scott Quintet CD Ectoplasm (scheduled for February 2008 US release) was completed last May. Now comes the Quartet San Francisco’s…

D.B. Dowd (Professor of Visual Communication, Washington University, St.Louis) opines: The modernist drive to split representation from its subject (that is, to open up a space between them, at the very least) included the ransacking of pre-modern art historical conventions, often to excellent effect. Jim Flora’s 1945 Coda cover draws on spot color printing and the use of spatial registers, a la Egyptian art, to deliver a strong graphic narrative with clarity and visual independence…

Tempera on paper, ca. 1960 (one-quarter of 8.5″ x 7″ work)

This three-tiered illustration appeared in the January 25, 1955, issue of Look magazine, accompanying an article by Fletcher Knebel entitled “The Welfare State is Here to Stay.” It reappears in our new book, The Curiously Sinister Art of Jim Flora. The Nanny State storyline caught the attention of our friend, economics blogger (and Floraficionado) Donald Luskin, who asked permission to post it at poorandstupid.com. The original illustration has not been found, and most likely wasn’t…

We’ve posted several complete Flora works below. However, one mission of this blog is to post details of Flora’s complex artistic madscapes. There are several reasons, not the least being our desire to spark surprise when we publish complete works in future books. Details serve as teasers. However, in a Flora mise-en-scène the details are “complete” works unto themselves. Isolating figures provides an opportunity for closer scrutiny. A typical image-dense Flora montage so overwhelms the…