Filed Under: "bad behavior"

Pencil sketches for Till Eulenspiegel LP cover, 1955. The above skeletal figures eventually morphed into this rough layout: … which was refined as this unfinished tempera setting: … which evolved into this finished RCA Victor Red Seal cover: Till Eulenspiegel was an impudent prankster in German folklore. Flora rendered several pen and ink drawings of the trickster in the 1990s. Perhaps he recognized a kindred spirit.

Illustration, “When the Night Wind Howls,” by W.S. Gilbert, anthologized in A Red Skel(e)ton In Your Closet: Ghost Stories—Gay and Grim, selected and edited by actor/comic Red Skelton. The cover of this 1965 children’s book was illustrated by the great Al Hirschfeld. The dozen-plus interior illustrations are unsigned and uncredited, but they reflect the unmistakable mischief of Mr. Flora.

Commercial illustration, late 1950s, publication unknown. Tempera mechanical found in the Flora archives. The illustration’s theme has contemporary resonance in the wake of the subprime meltdown.

Untitled tempera illustration for unknown magazine, March 1958. Stamped on reverse: “kill” — which doesn’t refer to the dragon or the knight-in-a-necktie. It refers to the drawing, which was rejected for unknown reasons. An earlier throwdown:

Illustration detail, “Long Day’s Journey Into the Insomniac’s Night”New York Times Magazine, October 1, 1967

REACH! Heck, it’s only pretend gunplay. Detail, Primer for Prophets booklet, commissioned by CBS-TV, 1954.

New Jim Flora fine art print launched on eBay. Two prints offered @ Buy-It-Now price of $250/ea. Not mentioned in item description: we have already sold prints 17/20 and 18/20; after the two launch prints sell, the next two released prints (15/20 and 16/20) will be offered at $300 via JimFlora.com. Elements of this early 1940s tempera were adapted for the cover of The Curiously Sinister Art of Jim Flora.

Compiling a resumé? Illustration, Research & Engineering, April 1956

Detail, untitled pen and ink depicting an artist suffering from alcoholic delusions, ca. 1993-94, from sketchbook

Production is complete: Flora carved Railroad Town in 1951 while living in Taxco. The trial proof relief print above was produced in December 2006. The June 2007 numbered edition (of 50), just completed at Yee-Haw Industrial Letterpress in Knoxville, is even better (alas, no photo yet). Most of the “saltiness” (white flecking) visible above in the peripheries has been eliminated by printmaker Bryan Baker. The impression is solid—and stunning. The longer I stare at the…

Do you like children?, W.C. Fields was reportedly asked. “Yes, if they’re properly cooked.” Perhaps he would have enjoyed Flora’s savory recipe. From Grandpa’s Ghost Stories (Atheneum Books, 1978): Next we looked at Mrs. Ghost’s favorite program. It was about cooking and was called Feeding Phantom Faces. It opened with a big, fat-bellied demon in a tall white hat. He hauled in a big iron pot and showed us how to make soup out of…

This is a print detail of Railroad Town, a 1951 Jim Flora woodcut. What you see above is approximately one-tenth of the entire 11″ x 22.5″ work. The rest is equally outrageous. Barbara and I just returned from Knoxville, where we oversaw proofs for numbered, archival-quality limited edition relief prints of this iconic Flora work. All prints are restruck from the original Flora-cut block, and the edition will be produced by Yee-Haw Industrial Letterpress. Prints…