Filed Under: "details"

There are five figures in this undated (late 1960s-early 1970s) Flora tempera, owned by Eric Kohler (who purchased it from the artist in the early 1990s). Two are extracted above. They—and their three unseen compatriots—will not be featured in our forthcoming third Flora anthology. There’s plenty of great unpublished images for volume four (target publication date 2012). Sorry if we’re getting ahead of ourselves.

Dummy page, Columbia’s Children’s Album Sets, demo booklet, 1941, part of a series of homemade samples prepared by Flora for the Columbia Records art department. Flora was living in Cincinnati at the time, an Art Academy grad, newly married, barely making ends meet as a freelance commercial illustrator, and sidelining on Little Man Press projects with Robert Lowry. Within a year, Columbia art director Alex Steinweiss offered Flora a job. Within two years, Flora had…

The services of this formerly out-of-work conductor (name: “Barlow”) have been retained for our next book, The Sweetly Diabolic Art of Jim Flora, scheduled for August publication by Fantagraphics. Barlow has been hired as the volume’s Gallery Guide. As such, he will stand sentinel-like at the beginning of each book section, with dotted lines emerging from his torso indicating chapter titles orbiting in close proximity. He earned the nod over six competing spot illustrations, who…

Detail, The Depot Fire, tempera on paper, 1963. This is about one-third of the entire work, which will be fully reproduced in our forthcoming book, The Sweetly Diabolic Art of Jim Flora. We reviewed printer’s proofs of the pages this week, and the book is on schedule for publication by Fantagraphics in August or September.

Detail, Inside Sauter-Finegan RCA Victor LP cover, 1954. I bought this record at a yard sale in 1974 just for the sleeve illustration, which graced my living room wall. Never got around to dropping the needle on the vinyl. But you can listen to (and watch) Bill (Finegan) and Eddie (Sauter) on YouTube.

Detail, Vaya Laredo, pen & ink, 1998. Full work to be reproduced in The Sweetly Diabolic Art of Jim Flora, scheduled for Fall 2009 publication by Fantagraphics Books.

Detail, Columbia Broadcasting System trade brochure, 1943 or ’44

Not the artist’s title, but a descriptive one nevertheless:Detail from The Fabulous Firework Family (1955) first draft, a hand-drawn image from the Kerlan Collection, University of Minnesota. Oddly, these two critters had nothing to do with the story, and do not figure in the published edition. (Rumor has it they were dropped from the FFF project after a pay dispute.) They appear to be wearing costumes fashioned from tablecloth scraps.

Spot illustration by Flora Columbia Records Coda booklet, June 1943 Production still (actor Tommy Rettig)The 5,000 Fingers of Dr. Tthe only non-animated motion picturebased on characters created by Dr. Seuss(who was born on this day in 1905)

Detail, The Day the Cow Sneezed, tempera draft, 1957, courtesy the Dr. Irvin Kerlan Collection, University of Minnesota. A gallery of early Flora roughs and overlays from the Kerlan collection will be included in our next Fantagraphics book, The Sweetly Diabolic Art of Jim Flora (target publication date September 2009).

Detail, Primer for Prophets booklet, 1954

pen & ink with pencil outline, detail, sketchbook,ca. 1950-51, when Flora was living in Mexico Here’s an undated forebear: Distant relative, from a 1948 Columbia Records ad(fully reproduced in The Curiously Sinister Art of Jim Flora)