Filed Under: "music"

Born this day in 1916. In 1939 the trumpeter, already a top-tier bandleader, hired a smooth, upcoming but relatively unknown vocalist from New Jersey, but failed to convince the kid to change his name to “Frankie Satin.” Within a year, James and singer had parted ways, the latter to join Tommy Dorsey’s orchestra. Within a few years, both James and the kid crooner were on their respective ways to becoming music legends. Columbia Records ad…

Leon Bix Beiderbecke was born today in 1903. Beiderbecke, a cornetist (caricatured above left by Flora in 1947) and pianist, was a stylistic catalyst in the formative years of jazz. Bix and trumpeter Louis Armstrong were the two most pivotal horn players of the 1920s, though their approaches differed markedly. Beiderbecke has been described as the first real modernist in jazz, though that doesn’t explain his enduring appeal. (Each year when the calendar flips to…

Just released by Euclid Records, a new 45 rpm single by Terry Adams & the Whole Wheat Horns whose sleeve features a Jim Flora musician montage. The chaotic combo, which incorporates cartoonish players from numerous Flora 1940s and 1950s sources, was created by Barbara Economon and yrs trly for our second book, The Curiously Sinister Art of Jim Flora. The calamitous crew evolved from a trio to include as many as eleven figures, until our…

Our 2009 Jim Flora fine art print series kicks off with a limited-edition, archival-quality giclee of a classic Columbia Records album cover, Kid Ory and His Creole Jazz Band. The oversized (15-3/4″ x 15-1/2″) print image is larger than the original album cover. The album was released in 1947 as a 78 rpm four-disc set, and was part of Columbia’s Hot Jazz series. Trombonist Edward “Kid” Ory (1886-1973) was a legendary pioneer in the development…

Jim Flora’s 1954 cosmopolitan woodcut, Manhattan, has been adapted for the cover of a new music folio. Broadway Celebrates The Big Apple: Over 100 Years of Show Tunes About New York City, was launched January 5 by Alfred Publishing Co. Cary Ginell, Associate Editor for Popular Music at Alfred, is a Flora fan who discussed image licensing with us last year. After reviewing samples, Ginell deemed the Manhattan cityscape ideally suited for this developing project….

Detail, Railroad Town, 1951 woodcut. The work in its entirety will be featured with commentary and photos of the original block in our forthcoming book, The Sweetly Diabolic Art of Jim Flora, scheduled for September 2009 publication. Limited edition oil prints struck from the artist’s block are available. The above twosome (with maracas accompaniment—so it’s a trio?) will adorn the cover of my 2009 WFMU fundraiser CD, NJX@NY$!#2 (New Jersey Excitement at New York Prices,…

A celebrity in its own right, brags to the media about Benny’s awesome embouchure. Reporter doggedly chronicles sensationalistic account, anticipates major scoop. Detail, Columbia Records ad, Look magazine, 1943.

Guitar in a seductive pose — spot illustration from A-D Gallery invitation to Flora’s first New York City exhibition, June 1943.

Pencil sketches for Till Eulenspiegel LP cover, 1955. The above skeletal figures eventually morphed into this rough layout: … which was refined as this unfinished tempera setting: … which evolved into this finished RCA Victor Red Seal cover: Till Eulenspiegel was an impudent prankster in German folklore. Flora rendered several pen and ink drawings of the trickster in the 1990s. Perhaps he recognized a kindred spirit.

Cover, Columbia-Okeh Popular Records new release monthly, March 1943. (The sepia tint is an aging artifact.) Flora had designed these foldout booklets — covers and interiors — over the second half of 1942. Columbia appointed Flora art director, succeeding Alex Steinweiss, in late 1943, and he continued illustrating these monthlies through 1944. Three full 1942 spreads were reproduced in The Curiously Sinister Art of Jim Flora.

Cover artwork (typography removed) of Sidney Bechet 78 rpm set (Columbia C-173), 1948. Flora had a particular fondness for early New Orleans jazz, especially the recordings of legendary soprano saxophonist/clarinetist Bechet (1897-1959).

Flora and WFMU: a sustaining relationship