Filed Under: "paintings"
Bottom half of two-tiered tempera found in sketchbook (ca. 1963-65). One of countless Flora works without a title.
Continue Reading... woodland critters ►
Mount Adams Winter Scene (1937) was painted by Flora while studying at the Art Academy of Cincinnati, and is the only existing color work from his academy days. It may, in fact, be the earliest existing Flora work—period. (There are undated student-era sketches.) The style, of course, does not reflect Flora’s future direction. At the academy he was training to be a fine artist, and such were his aspirations. It’s ironic that in the depths…
Continue Reading... Mount Adams Winter Scene (1937) ►
Tempera on paper, ca. 1960 (one-quarter of 8.5″ x 7″ work)
Continue Reading... Venice to Rome (pt. 1) ►
Year Zero in the Flora Revival was 1992 when Michael Bartalos cold-called the 78-year-old artist to ask about his 1940s and ’50s album cover illustrations, which evoked a mothballed era to the robust, productive retiree. Recalling Mike’s curiosity, Flora later said, “I felt like a fossil that had just been dug up.” Thus began the archaeology, which continues to unearth ancient marvels. The above flashbulb-bleached vignette was snapped at A-D Gallery in June 1943 during…
Continue Reading... Digging Flora’s “fossils” ►
Choo-choo, woo-woo! Another small segment from a larger work (also featured in its entirety in The Curiously Sinister Art of Jim Flora). No date attributed to this work, nor is it titled, but its whistle has a familiar refrain. Jim Flora’s affinity for the railroad yard and its denizens dates back to the mid-1930s when he returned to his home state of Ohio after exploring a brief scholarship granted to him by the Boston Architectural…
Continue Reading... Train kept a-rollin’ ►
We’ve posted several complete Flora works below. However, one mission of this blog is to post details of Flora’s complex artistic madscapes. There are several reasons, not the least being our desire to spark surprise when we publish complete works in future books. Details serve as teasers. However, in a Flora mise-en-scène the details are “complete” works unto themselves. Isolating figures provides an opportunity for closer scrutiny. A typical image-dense Flora montage so overwhelms the…
Continue Reading... The deviltry is in the details ►
Unpublished (and likely unexhibited) artifacts from Jim Flora sketchbooks Tempera on paper, early 1960s Pen sketch, early 1940s
Continue Reading... The artist at play ►
