Filed Under: "typography"

Now available: a limited edition (25) fine art print of Flora’s 1947 Columbia album cover for Louis Armstrong’s Hot 5. This print was commissioned from Jim Flora Art by Hypergallery, a UK dealer who specializes in reproductions of classic album cover art, and is available exclusively through their website. The print was produced by Flora archivist Barbara Economon from a vintage printer’s proof sheet in the Flora collection. Each print in the edition was hand-signed…

Dummy page, Columbia’s Children’s Album Sets, demo booklet, 1941, part of a series of homemade samples prepared by Flora for the Columbia Records art department. Flora was living in Cincinnati at the time, an Art Academy grad, newly married, barely making ends meet as a freelance commercial illustrator, and sidelining on Little Man Press projects with Robert Lowry. Within a year, Columbia art director Alex Steinweiss offered Flora a job. Within two years, Flora had…

Robert Lowry (1919-1994) would turn 90 today. Don’t expect a presidential proclamation in commemoration of this troubled man’s legacy. However, we salute the Little Man Press writer/editor for changing the course of Flora’s career, and probably for influencing his art. It all began one day in 1938 when the volatile literary turbine accosted Flora on the Art Academy of Cincinnati campus and demanded the undergrad illustrator serve as art director for his fledgling independent press…

Leon Bix Beiderbecke was born today in 1903. Beiderbecke, a cornetist (caricatured above left by Flora in 1947) and pianist, was a stylistic catalyst in the formative years of jazz. Bix and trumpeter Louis Armstrong were the two most pivotal horn players of the 1920s, though their approaches differed markedly. Beiderbecke has been described as the first real modernist in jazz, though that doesn’t explain his enduring appeal. (Each year when the calendar flips to…

hand-printed card, early 1940s

Detail: undated, untitled, and unidentified commercial illustrationca. late 1960s/early 1970s

Pencil sketches for Till Eulenspiegel LP cover, 1955. The above skeletal figures eventually morphed into this rough layout: … which was refined as this unfinished tempera setting: … which evolved into this finished RCA Victor Red Seal cover: Till Eulenspiegel was an impudent prankster in German folklore. Flora rendered several pen and ink drawings of the trickster in the 1990s. Perhaps he recognized a kindred spirit.

Commercial illustration, late 1950s, publication unknown. Tempera mechanical found in the Flora archives. The illustration’s theme has contemporary resonance in the wake of the subprime meltdown.

The Newspaper Archive offers a massive online database of regional papers. It claims to have archived 895 million articles published in 747 cities over 240 years. In case you’ve run out of things to read on the web, here’s a bottomless library. I bought a ten-day pass to search for Jim Flora illustrations. Easy, right? Well, yes and no. NA’s search engine uses OCR to find word strings in old newsprint that’s been erratically scanned….

UPDATE 4/25: Two prints sold. Now available via JimFlora.com. The Incredible Flutist is an uncirculated 1953-54 record cover illustration by Flora that was intended for a 7-inch RCA Victor EP. Jim Flora Art LLC is offering two fine art prints on eBay at a launch price. According to a purchase order discovered in the Flora archives, the illustration was commissioned by RCA in late 1953, but there’s no indication the work was finished, accepted, or…

Long overdue. Sorry. Not that anyone was expecting apologies. Please visit. Lots of new content: 63rd Street fine art print page; Fantagraphics Gallery exhibit poster; more LP covers that are commonly mistaken for Flora designs; and a progress report on the Primer for Prophets series. The Railroad Town page has been updated. We also corrected typos, fixed broken links, and rearranged the furniture. You almost wouldn’t recognize the place, except that it’s still populated with…