Filed Under: "violence"

REACH! Heck, it’s only pretend gunplay. Detail, Primer for Prophets booklet, commissioned by CBS-TV, 1954.

The new CD by Seattle’s Reptet, Chicken or Beef? (Monktail Records), adapts elements of Flora woodcuts from Murderpie, a 1939 Little Man Press chapbook. The package—which includes additional Flora imagery on the back and inner disc sleeve—was designed by Jeffrey Huston and Reptet drummer John Ewing. The original typography replicates Flora lettering. This is the second release by Reptet to feature Flora imagery. Their 2005 Do This! was emblazoned with a critter we call a…

Look magazine, December 27, 1955

Detail, Distress and Dismay, tempera on paper, ca. 1971-74

Peril on the high seas.

Detail, draft manuscript, The Fabulous Firework Family (1955)

New Jim Flora fine art print launched on eBay. Two prints offered @ Buy-It-Now price of $250/ea. Not mentioned in item description: we have already sold prints 17/20 and 18/20; after the two launch prints sell, the next two released prints (15/20 and 16/20) will be offered at $300 via JimFlora.com. Elements of this early 1940s tempera were adapted for the cover of The Curiously Sinister Art of Jim Flora.

Spot illustration, Research & Engineering, April 1956

Compiling a resumé? Illustration, Research & Engineering, April 1956

Untitled, undated pencil drawing on onionskin paper; later printed in Gup, a 1942 chapbook authored by Robert Lowry, issued by Little Man Press (Cincinnati), featuring cover and interior illustrations by Flora.

Do you like children?, W.C. Fields was reportedly asked. “Yes, if they’re properly cooked.” Perhaps he would have enjoyed Flora’s savory recipe. From Grandpa’s Ghost Stories (Atheneum Books, 1978): Next we looked at Mrs. Ghost’s favorite program. It was about cooking and was called Feeding Phantom Faces. It opened with a big, fat-bellied demon in a tall white hat. He hauled in a big iron pot and showed us how to make soup out of…

This is a print detail of Railroad Town, a 1951 Jim Flora woodcut. What you see above is approximately one-tenth of the entire 11″ x 22.5″ work. The rest is equally outrageous. Barbara and I just returned from Knoxville, where we oversaw proofs for numbered, archival-quality limited edition relief prints of this iconic Flora work. All prints are restruck from the original Flora-cut block, and the edition will be produced by Yee-Haw Industrial Letterpress. Prints…