Filed Under: "Yee-Haw Industries"

Jim Flora Art LLC is offering three hand-printed 2008 calendars: swingin’ sax, boogie-beat drummer, and starlite moon. We have a limited number (30 each) to sell. That’s it. It’s not a numbered edition — 500 backing cards each were printed by Yee-Haw Industries (Knoxville), but due to scheduling demands, the production team could only finish a few hundred calendars for retail boutiques. JFA LLC received 30 sets for our customers. Sales are first-come, first-served. Each…

We’ve compiled a Railroad Town info page at JimFlora.com, commemorating the print’s official “launch.” If you’re curious to learn more about this 1951 Flora masterwork (detail at right) which can now be purchased as a numbered, limited edition relief print, visit Railroad Town Central. Besides the new edition of 50, there are a small number of proofs available in varying ink colors and papers (info on the RRT page). The current block of five released…

Production is complete: Flora carved Railroad Town in 1951 while living in Taxco. The trial proof relief print above was produced in December 2006. The June 2007 numbered edition (of 50), just completed at Yee-Haw Industrial Letterpress in Knoxville, is even better (alas, no photo yet). Most of the “saltiness” (white flecking) visible above in the peripheries has been eliminated by printmaker Bryan Baker. The impression is solid—and stunning. The longer I stare at the…

click for panoramic magnificence Flora created the woodcut RAILROAD TOWN in 1951, during his 15-month family sojourn in Mexico. It’s a manic mural, crammed with sinister figures interlocking like rune-shaped brickwork. Pictured above is a 2007 relief print, with black ink on 280g archival-quality Rives BFK cream. The block measures 11″ x 22-1/4″, and the full print (with border) measures 18-3/4″ x 30″. Working with Yee-Haw Industrial Letterpress of Knoxville, we will produce a limited…

This is a print detail of Railroad Town, a 1951 Jim Flora woodcut. What you see above is approximately one-tenth of the entire 11″ x 22.5″ work. The rest is equally outrageous. Barbara and I just returned from Knoxville, where we oversaw proofs for numbered, archival-quality limited edition relief prints of this iconic Flora work. All prints are restruck from the original Flora-cut block, and the edition will be produced by Yee-Haw Industrial Letterpress. Prints…