Yee-Haw Industries studio tour

September 4, 2010

We’re honored to have worked with the fine folks at Yee-Haw Industrial Letterpress, producing Flora limited edition woodcut prints (including the 1951 tour de force Railroad Town and the 1957 LP-sized Jugglers) and letterpress notecards and calendars. Printmaker Brian Baker with Jugglers edition print (left) and vintage block (right) Co-proprietors Julie Belcher and Kevin Bradley, along with the Yee-Haw staff, are committed professionals and we consider them friends. We’re working with Yee-Haw on new projects,…

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First National Bank Robbery

September 1, 2010

Detail, The Big Bank Robbery, mid-1960s tempera on board. The bank displaying the signage at right isn’t actually depicted in the complete work, only a counter clerk with upraised arms holdup-style (not pictured in detail). We issued a limited edition fine art print of the work in 2009, and one-half of the print run has been sold. Prices increase as editions sell down.

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last Chance

August 22, 2010

Chance Encounter (detail above), a 1970 Flora tempera, was issued in a limited edition run of 20 in 2008. With last week’s sale of print number 1/20, the edition is now sold out. It may later be offered in reduced form in print items such as cards, calendars or folios, or commissioned as exclusive, premium-priced, custom-formatted single prints produced privately at our discretion. But that’s it for edition prints. Chance Encounter is our first sold…

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brain map

August 17, 2010

Untitled tempera on board, 1964, reproduced in our second book, The Curiously Sinister Art of Jim Flora (Fantagraphics, 2007). Though ten years separate the works, certain elements are reminiscent of the 1954 RCA Victor LP Shorty Rogers Courts the Count.

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Rowayton Remembered, detail of woodcut print, ca. 1974 My Brush With Historya series by the readers of American Heritage magazineJames Flora’s contributionFebruary/March 1997 (Volume 48, Issue 1) During the late 1940s I lived in Rowayton, a small Connecticut village, with my wife and two small children. I was the art director of Columbia Records, a job I dearly loved. In my work I had many opportunities to meet the musical celebrities of the day, Frank…

Continue Reading... “Mr. Flora, this is Aleksandr Kerensky”

Partial scan (about one-third, with color checker card) of unpublished 1954 woodcut print Sheffield Island. The original block is in the Flora family collection. Only a handful of original artist prints exist. We are contemplating issuing a new limited edition run of the complete work next year.

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This will be our next limited edition fine art print. Little Rock Getaway is an undated Flora tempera that reflects his mid- to late-1960s color schemes and contours. It will be released soon in an edition of 25. Floraphiles can pre-order via the linked title.

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Flora at Etsy

July 27, 2010

We recently opened a Jim Flora store at Etsy.com. For now, the shelves are merchandise-sparse, but more items will be added in the coming weeks. Current and future Etsy offerings are also available through our fine art prints gallery and our Little Shop of Flora’s. Either place you purchase, the source is the same: us. We’re also considering listing some exclusive items at Etsy. We’ll have Flora 2011 letterpress calendars available in September. Same designs…

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The above profile of Flora appeared in The Complete Guide to Cartooning (Grosset & Dunlap, 1950), by Gene Byrnes. Byrnes had a long, distinguished career as a syndicated cartoonist (Reg’lar Fellers) from 1915 to 1949. Flora never claimed to be a cartoonist per se, tho his commercial illustrations—in particular the 1940s Columbia album covers featured in the profile—certainly were cartoonish. In his quotes (click the image for enlarged reading), Flora doesn’t address any aspect of…

Continue Reading... The Complete Guide to Cartooning

physical inventory risk

July 19, 2010

We learned the phrase “physical inventory risk” last week from someone in the music business. It describes why, in the current industry-wide economic downturn, many record labels won’t gamble on artistically worthy but commercially uncertain projects: because of the probability (“risk”) they’ll end up with unsold goods (“physical inventory,” e.g., CDs) sitting on distributor and retailer shelves. Rather than commit (again, “risk”) financial resources to marginal productions, they trim existing catalog and/or keep the release…

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  • The Mischievous and Diabolic art of James Flora (1914-1998). Glimpses of rare works from the archives and news about Flora-related projects.

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